Monday, 31 August 2009

Mrs Beckinsale

beckinsaleSince my meeting with Craft Victoria on Thursday I've been set on the idea of changing my business name. Cravings Frocks was a fab idea when I was making maternity dresses, but it bears no relevance to what I'm doing now.

I was trying to think of something personal yet generic, which I can carry with me whatever direction my business takes. Something a bit kitsch and witty. One option leapt out at me.

I mentioned my idea to Hubby T and he snickered. I've just realised I haven't told him I was serious about it, and I've already paid the money to register it. Should probably have had a proper discussion about it first. Whoops.

So, here's the new craft incarnation of me: Mrs Beckinsale. It's my little feminist joke, as that's what my name would be if I'd taken T's surname. I like it because it sounds like a little old lady, which is what many people picture when they think of craft, when actually it's young, unpredictable and fun. Hang on, I'm not describing myself there! It's unexpected and quirky. That's a bit better.

I'll have to make a new header for my Made It shop. I'll possibly just use the same one I've got on this blog. I'll have to update my details all over the place. My near-full box of business cards is going to have to be replaced. New woven labels are required.

It seemed like a good idea ten minutes ago.

P.S. I did change my blog URL to mrsbeckinsale.blogspot.com, and within the first two minutes I almost lost a new customer because they tried to follow a newly broken link to my blog. So the URL is going to have to stay as is for now.

P.P.S. New woven labels: Style 28 from Cash's or style N38 from Namemakers ? I'm thinking of a navy background with white lettering, probably. Feel free to dissuade me.

Sunday, 30 August 2009

Awful & Awesome

I'm possibly the only person stupid enough to enter an item into the Royal Melbourne Show which hasn't been made yet. It has to be delivered in eleven days and I'm still working on it. I still haven't made a final decision on what fabric I'm using!

Here was yesterday's dilemma.
Photobucket

The cross stitch I did a couple weeks back: Awful.

Photobucket

Letters printed out, pinned onto Easyfixed fabric, cut out and ironed on: Awesome.

I experimented with topstitching the letters but it was really gross. So, iron-ons it is.

So the next problem is that I hate the fabric I bought for the roof. Instead of my usual broadcloth off long bolts, I bought matching colours in quilter's homespun. The only thing I couldn't match was the creamy tan. I thought this browny colour would be okay but it doesn't look good with the rest of it, and it's too close to the topstitching colour.

Photobucket

So I thought I'd use the broadcloth, only to discover I've run out. This is such a hassle, as I don't have a car during the week and Hubby T's working this weekend. I either have to head out to Spotlight as soon as he gets home today, or take a bus tomorrow. Blergh.

As a change of pace here's some new print collections I'm building up for limited edition cushions. On the left I'm building up a geometric set, on the right I'm starting a bold set.
Photobucket

If you've got any suggestions for prints I could use leave me a note!

Thursday, 27 August 2009

I Pledge My Allegiance to Craft Victoria

So there's been a tonne going on in the last fortnight. I'm not sure what to put in and what to keep on the quiet. I think I'll put in as much as I'm confident about but be brief on details. [Note: I have failed spectacularly on the 'being brief' front, as usual.]

Most of the changes that are going on have happened because I dared to apply for Craft Victoria's Craft Hatch market a few months ago. I got in. It was the best market I've ever done by a factor of three, both in terms of sales and visitor enthusiasm.

Last week Craft Vic contacted me about a New Craft opportunity for the National Trust, based on the products I'd shown at Craft Hatch. If I'd been asked to write down my goals for W Class Cushions back in March when I made my first prototype, having them stocked in the Como House gift shop would have been in the top three. I used to go to Como with my grandma when I was about twelve or so, and in my mind it's the epitome of Australian colonial architecture. Getting in touch with their gift shop was on my to-do list a couple months ago, and dropped off when planning for Northside Makers started up.

I read the National Trust brief and it suited a couple ideas I'd had in the back of my mind but hadn't previously had time to work on. I set up a meeting for today with Craft Victoria's representative. I took in these new items (there's a photo at the end of this entry), a felt brooch, some fabric postcards and a cushion, even though it's slightly beyond the prices set in the brief. The feedback was very encouraging. No promises, of course - it's the National Trust's decision if they want to order some of my stuff and what items they're keen on. Maybe all of it, maybe just a few. Whatever the result I'm blown away by having this opportunity handed to me. Thankyou Craft Victoria. They've also given me another dream opportunity this week, which fulfills another of my top goals for my cushions. Once that becomes public in October I think I will have achieved everything I've ever dreamed for this incarnation of my craft business.

After the meeting I walked toward Parliament station and noticed the City Museum across the way. Beky had recommended their gift shop as a possible outlet for my stuff. I dropped in and took a look around, and was so excited by the great tram paraphernalia that I told the woman behind the counter I had a bag full of tram-related craft with me. She turned out to be the shop manager and was keen to see what I had. She was even more enthusiastic when she saw the new items I'd made up for the National Trust (you're nearly at the photo!), gave me her card and told me to phone her in a fortnight when she's back from holiday. So that drop-in was worth the effort.

Having this feedback from organisations I admire has steeled my resolve to alter my path, and finally commit to a direction for my business. In the last week I've researched how the child care benefit and rebate work, how much I can earn before it affects my family benefit payments, and how much more work I can get done in exchange for paying for a few hours of child care a week. As a result Jack is signed up for his first session of occasional care tomorrow.

I've asked bloggers what their approach to wholesaling and pricing is, and have been given much food for thought by Cam, Sandra, Shannon and Myf. I talked to Northside lovelies Margaret and Jay about how much work a mother can actually handle and balancing priorities of family income (and attention obligations) versus building up a craft business.

I've thought about an article I read about charging top prices for your goods or services, so that you can afford to make a contribution to charitable causes as well. The National Trust isn't a charity, but it is a non-profit institution dedicated to preserving Melbourne's, and all of Australia's, beautiful architectural heritage. My British husband would scoff at such a notion as Australia having any kind of heritage. Ignore him.

My main motivation for donating my time to Northside Makers is that I want to create a market where emerging craftspeople can sell their wares without a market organiser making a profit out of their presence. I'm generally unhappy with the amount of handmade profit that goes to retail shops and for-profit market organisers. When I'm putting so many hours into creating this Utopian, egalitarian market I feel that I'm being untrue to my values by wholesaling to a for-profit retail shop. It's nothing personal, if the owner of that shop happens to be reading this. If I'm going to be doing a favour for a shop by giving them wholesale prices I want it to be a shop that's using the profits for public good.

So here's a summary of the changes I'm making.
  • I'm going to change my business name. I've considered this before. I don't plan to always do tram-related craft so it won't be a tram-related name. Ms Craft Victoria's advice was to either operate under my own name (which would mean not havin to register a business name, hmm) or creating a generic name which I can use whatever direction I take. Jacky Boy, perhaps?
  • From January I'll only be doing Northside Makers Markets, Craft Hatch when they'll have me, and maybe some Made 'N Thornbury and the Kris Kringle Markets if they fit my calendar.
  • I'm going to give up on my Rose St Artists Market stall which I've got booked in a few weeks, because I simply don't have time to prepare for it and it doesn't fit the direction I want to take. Doing Rose St was a goal when I started my maternity dressmaking business a few years ago, but it's one I'll have to say goodbye to.
  • I won't be doing any more wholesale to for-profit shops.
  • I'll work towards developing products suitable for non-profit organisations such as National Trust and City Museum.
  • I'll keep doing fun stuff like Trash Jackets and Button ATCs. A gal has to enjoy her craft!
  • I'll continue with my Made It shop. I might do Etsy as well, but pricing in a foreign currency gives me the irrits.
  • And I'll charge properly for my items at markets, online and wholesaling. I clearly can't be relied on to figure these prices out for myself so I'll ask for evaluations from people who know. Ms Craft Victoria was invaluable on this front.
You didn't really read all that, did you? I know you scrolled down to see my screenprinted A6 2010 diary and A7 appliqued 2010 diary.

Photobucket

Find them soon in your nearest National Trust giftshop, if I'm lucky.

Coffee Break

coffee Last week I used a picture of a crocheted coffee cup on this blog, and my mum Two Bits Patches thought it was so cute she went ahead and made one. Now I'm dying for a crocheted Kit Kat!

Two Bits Patches has an online shop selling charm squares - mixed packs of feature prints for children's quilts and general craft projects. I sell them at my market stalls too. They're really our market stalls, as half the stuff on there is by Two Bits Patches. It really saves my bacon, having another crafter's work to fill up my stall during busy months like this!

Mum's shop has a sale on this month and the month's almost over, so take a few minutes to check it out!

Ooh I've just remembered it's Open Studios @ Nicholas Building this evening and tomorrow. I've got a meeting in the city at 3pm, wonder if I can hang around til 4pm to check out the studios quickly before collecting Jack from his babysitter...

Also, membership to Northside Makers is open! The sexiest thing about being a paid-up Northside Maker? You get 15% off stall fees at our markets in October, November, February and March. Oh yes, this is one comprehensively planned project. And we're non-profit so it's not like your membership fee is going in my pocket. :-)

Wednesday, 26 August 2009

I Spy...

Curly Brooch...CurlyPops on Made It's Wednesday Handmade Goodness email!

Tuesday, 25 August 2009

Pile 'O Cushions


Today I dropped off a large order of W Class Cushions to my wholesaler. Five cushions, all Northcotes and Melbournes. When I took them into the shop I was told they'd sold another one of my cushions that day. The shop charges $69 for my cushions. Online and at markets I charge $52.


I've been intending to increase my prices before the Christmas market season begins. But I've got a big promotional opportunity in October which might result in a fair amount more interest in my cushions. I've already got more orders than I can handle; maybe I should experiment with restricting the number of orders I get by putting up prices and making more from each one?


So, sellers, how do you balance your direct sales prices against retailers? Do you try to match them? Do you expect people will be inclined to pay more in a shop than for the same item on a market stall?


Do you perhaps charge different prices at different markets? A stall at a community market costs much less than a for-profit market, so I could charge less on a Made N Thornbury day than a Rose St day. Perhaps my Kris Kringle market prices could match my retailer (or near enough) while my Northside Makers Market and Made It prices could be lower. Then again, listing and commission fees on Made It for one cushion are comparable to its share of a for-profit stall. Or would you just price your direct sale items the same as what shops charge, and rub your hands with glee while the money pours in (or doesn't)?


Look how far my cushions have come, from the first prototype in March to the style stocked on High St today.

Saturday, 22 August 2009

The $1,000 Spreadsheet

ShawramicsIn a discussion on Thornberry's blog asking why crafters do market stalls, one commenter asked if it's possible to make $1,000 profit a week doing craft markets. This inspired me to load up Excel and see what it would take.

$1,000 a week profit is $50,000 a year if you don't do a market in the weeks following Christmas and New Year, at which time most markets are closed. Nice!

For my product I'll use my own W Class Cushions. Let's assume that with wholesale material prices I spend $10 per cushion on materials, and sell them for $60, giving me a profit of $50 per cushion. (Ha! I don't make nearly that much profit, promise.)

The simple maths would be $1,000 per week by $50 profit per item = selling 20 cushions per market. Let's forget the fact they're cushions, substitute in any mass-appeal handmade product which would get a lot of customers at a high-profile weekly market. Selling 20 of your $50 profit items certainly sounds achievable!

But then we have to pay for the market stall. Because we aim to keep $1,000 profit, we have to sell additional products to cover the stall cost. Let's head for The Esplanade Market in St Kilda. Very scenic, lots of tourists, runs weekly. It has the standard caveat that all items on the stall must be made by the stallholder. The stall fee is $500 for three months, or around $40 a week. Wow, that's much cheaper than I thought! We only have to sell one more product to cover our stall fee. We're up to selling 21 each week.

What about our overheads? Let's assume we work from home and have paid it off, so we don't have any pesky business rent charges. We'll want to claim 10% off our household electricity bill as a business expense, otherwise why would we work from home? Let's call that $2 a week. Because we make over $50,000 a year we are required to be registered for GST, and as we're busy handmaking all our stuff we'll pay a professional to take care of our BAS and bookkeeping. We'll budget $25 a week for that, which may be a gross underestimation. Then we've got premiums on our public liability insurance, $110 for three months or $8 a week, plus general business insurance - another $10 a week perhaps? These basic overheads add up to $45 a week, or one more product. We're up to 22.

Because we're selling our products at a high-exposure market, we spent months working on our innovative design and it's our livelihood, we want to get trademarks and register our design. The trademake on our business name costs $450 for ten years, which breaks down to only a dollar a week. Registering a patent for our product costs $230 for the first year, or around $5 a week. So there's another $6. Not enough to worry about, really.

Of course we need to keep our manufacturing equipment in top condition, because if something breaks down and takes a week to fix, we'll lose a week's production time and won't be able to do our market that week. Say we're getting a sewing machine serviced every three months for $70 each time, or $6 a week, and our overlocker once a year also for $70, or more than $1 a week. That's $7. We'll add that to the $6 cost of trademarks and patents, making $13. So we're happy with a sales goal of 22 items per week.

Anyone call sell twenty two products at a busy market!

But how long has it taken us to make these 22 products which are worthy of $50 worth of skill, time and originality? I believe a standard amount placed on crafting time (in needlecraft anyway) is $20 an hour. So it's reasonable to assume you spend 2.5 hours on each of these products. Two and a half hours to make 23 products equals 55 hours of crafting time each week. Add on the seven hours a week you spend on your stall, plus an hour's setting up and half an hour's travel time each way, and you're working 64 hours a week to earn your $1,000 profit. On top of market day that's 11 hours per day if you work weekdays, or 9 and a bit hours a day if you work Saturdays as well. Working nine hours a day, seven days a week, 50 weeks a year seems like a tough way to earn $1,000.

We could outsource some of our making to a homeworker, although this isn't allowed by the market's rules. Let's pay them less because, even though they can produce the same high-quality work that deserves a $50 profit margin, they didn't come up with the design. We'll pay them $15 an hour (even though they'd make more working on a supermarket checkout). To lighten our load to seven hours a weekday (we need a lunchbreak) we'll get them to work 22.5 hours per week, making nine items while we make the other 14. But suddenly we're not making a personal profit of $1,000, because $337.50 is going to them. We need to make enough to cover our homeworker's wages. We can increase our markup by 33%, if we think people will willingly pay $76.50 for our item instead of $60. We could increase our homeworker's hours to 35 hours a week, the same as ours, paying them $525, selling the 28 products we make between us and increasing the markup slightly to $58 per item, or $68 ticket price. That works!

Personal income $1,000


Expenses
Market stall $40
Electricity $2
Accountant $25
Public liability insurance $8
Business insurance $10
Trademark $1
Patent $5
Equipment maintenance $7

$98


Profit required $1,098


Items at $50 markup 22


Hours required @ 2.5 per item 55




Items made in 35 hour week 14


Homeworker @ $15 per hour $525


Profit required $1,623


Markup required for 28 items $58

So yes, we can make $1,000 from our handmade craft market stall. But only if we break the rules by outsourcing half the work, spend 35 hours a week reproducing the same product ad nauseum, and - I'm making a leap here - killing the joy we used to get from our lovingly crafted products.

Perhaps you've got a product that has a much larger profit margin, or only takes 20 minutes to make, or is guaranteed to sell one a week for $1,623 each. But my gut feeling is that if you want to take home $1,000 a week, it's time to hang up your scissors and get a day job.

Further notes...
I meant to point out that our $1,000 a week income does not come with superannuation. You'll need to put 9% of your income into your super account to keep up with what you'd receive as an employee.

And if you don't live in a paid-off house, you'll want to cover a percentage of your mortgage or rent using your business income. Which means making and selling more items - another homeworker might be required.

I'd also be interested to know what a self-employed jeweller, painter or other non-needlecrafter values themselves at per hour. Are there any crafts that could earn $1,000 a week working less than 40 hours, not including market day?

Thursday, 20 August 2009

Crumby Crochet

It'll be hard to avoid if you join the fun at Northside Maker's Crochet and Coffee meet-up this Sunday. I know I'll be throwing cake crumbs around with abandon, so cover your projects!


Easycraft's crocheted coffee


Sunday 23rd August, 2009
1pm to 3pm
Crunch Cafe
660 High Street, Thornbury.
Take the 86.


All welcome! Come find out some more about Northside Makers and put some faces to Blogger identities. You don't have to know how to crochet - I don't - but there'll be people who can give you some pointers, or bring along your preferred non-machine project. Little Jack's Birthday Robot will be there in pieces, hopefully turning into less pieces. Although I may be too busy gossiping...

My Creative Space

Working on my W Class Cushion for the Royal Melbourne Show's Art, Craft and Cookery competition.
Photobucket

All elements have to be my own work, so no outsourced machine embroidery this time. Above is two cross stitch experiments, using waste canvas on interfaced homespun. The first letter S came from a freebie project sheet from Spotlight. After stitching it I measured it, and figured this lettering would make my destination over 35cm long, when there's only room for 16cm of destination. The second set of lettering came from freepatternsonline.com and has resulted in a 16.2cm word. I can work around that.

I have two other thoughts for lettering. I've seen some cross stitch where the design has been stitched around with one or two ply of floss, which makes the design stand out more. Could look good.

The other option would be to type up the destination, print it out, cut the letters out of Easyfixed white homespun then iron and topstitch them on. It would mean slightly frayed edges, but it'd match my windows. On the other hand it would be tricky to get them all straight and evenly spaced.

If I'm being judged by CWA mavens I think cross stitch is the safest bet.

Speaking of destinations, I'm looking for a second machine embroiderer to outsource them to. I've got orders flooding in at the moment, and want to build up a big stock before the Christmas markets start. If you've got an embroidery sewing machine, a bit of spare time and would like some pocket money please let me know!

If not just enjoy the other creative spaces on Kootoyou.

Wednesday, 19 August 2009

Vintage Button ATCs

Here's a fun new project inspired by this fabric* on Karaku's Etsy store, which I discovered when buying ink for stamping my fabric postcards.

Button ATCs

Button Card ATCs! I've used vintage buttons from my own collection, some I bought from Cheeky Little Monsters at the Thread Den market, and some pilfered from Two Bits Patches' vintage button collection which I'm meant to sell at markets. I owe you $2.50, Mum.

Button ATCs

This is my first attempt at ATCs. I marked a piece of calico into a number of 2 5/8" by 3 5/8" rectangles** and interfaced it with heavy fusible interfacing.

Button ATCs

Next I wrote the word 'Buttons' (or 'Boutons' for a Frenchy touch) at the top of each rectangle in cursive script, using a fading fabric marker. I followed the free-motion embroidery instructions in my sewing machine's manual to stitch over the writing. I quickly found that expensive thread gives a much better result than the cheap & cheerful stuff, which is a shame as I've got so many pretty colours in my cheap thread box.

Button ATCs

Then I cut the rectangles into separate pieces and sewed on the buttons in the same manner as a button card at a shop, without tying off each one. I guess it would have been safer to at least knot them individually even though I didn't cut the thread between them.

Button ATCs

I cut printed backings to complement the buttons, interfaced them and sewed on my label. Lastly I sandwiched them together and satin stitched around the edges. This was tricky on the cards which I'd sewn seven buttons onto as they were so close to the edge, and it was hard to get the presser foot underneath them. I tried using a zipper foot but they're not designed to be used with zigzag stitching. I have to redo one of the blue cards.

Button ATCs

The pink and purple buttons have these wonderful masquerade characters on the back, which makes them twice as good.

These were so much fun to make! It's a lovely way to do something with your favourite vintage buttons, and you can always cut them off later if you find another use for them.

I'll have these for sale at Made N Thornbury and in the meantime I'd love to trade with any other ATC creators.

* The description says it's mah jong tiles but the fabric print is actually button cards. A mix-up?

** Why can't ATCs be a more logical size?

Tuesday, 18 August 2009

Back To The Future

With all the orders I've had for W Class Cushions in the past month, it's been hard to find time to sew other things I enjoy. But finally I was given an opportunity - a commission for a Mills & Boon Trash Jacket. The theme: History.

trash jacket

'History' was a fun theme to interpret into applique. I thought of doing people in historical costume, but that would only emphasise that inside the Trash Jacket was a book about relationships, not actual history. I've got one book on history which has a world globe on the front, but to my mind that more closely represents geography.

trash jacket

When I had the idea of a calendar I was very pleased with myself. When this was followed by the idea of a calendar showing a historic date that the recipient enjoyed reading about I gave myself a gold star. For the wording I experimented with free-motion embroidery on my machine. I love how it turned out, it reminds me of Blackadder.

trash jacket

I've only got the one Mills & Boon (must start op shopping for more) so this History Trash Jacket is pictured with the same copy of No Doctors, Please which usually graces my Science Trash Jacket.

trash jacket

I do intend adding these to Made It or Etsy one day. Maybe when I don't have twelve pending cushion orders.

Monday, 17 August 2009

SLAP Cosmetics launch!


For months my friend Nikki has been slaving over her new venture, SLAP Cosmetics. Finally her dozens of hours of hard work have come to fruition and the SLAP website is open for business.

The eyeshadow names set the stage for an epic night out - don't leave the house without your own Serious Moonlight, Bad Seed, Wild Rose or Electric Dream. I'm trying to choose a shade to wear at markets and can't decide between Diamond Meadows, Addiction and Gold.


Forget what you've heard about mineral make up in the past - SLAP Cosmetics are here with dramatic and vibrant long-lasting eye colours that will stand out!

SLAP founder Nikki Wilson is a Melbourne-based entrepreneur who loves wearing bright shades with serious eyeliner. Saddened by the fact she couldn't find an Australian line with quality eye-popping products, she set out to bring SLAP Cosmetics to like-minded individuals who just wanted amazing colours at an affordable price.

SLAP Cosmetics are manufactured in Australia and are made completely from minerals, which when pulped become a silken powder consisting of Mica, Zinc Oxide, Titanium Dioxide and Iron Oxides. They are also anti-inflammatory, anti-microbial, non-comedogenic and water-resistant.


SLAP Cosmetics are proud to state that none of our cosmetics are ever tested on animals, nor do they contain any ingredient derived from our animal friends.

SLAP is proudly 100% Australian owned.

*Hypoallergenic
*Water Resistant
*No preservatives, no fragrances
*20+ SPF in foundations (coming soon!)
*Completely natural
*Easy to apply and blend for superior coverage
*Long lasting, absorbs moisture and stays on
*Non drying, remains flawless through the day



The next time you need serious eye colour, Just Say No to mass-market imported shades and let a local gal get you sorted.

Sunday, 16 August 2009

Project Runway At The Races

I've been watching Project Runway Australia through some internet trickery of Hubby T's - I knew that huge monthly broadband bill had to have a payoff. I intended to comment on each week's episode and which designs I liked best, but after the first episode's gowns none of the challenges have really inspired me.

That is, until this week's Spring Racing Carnival challenge.

It was hard to believe any outfit would beat William's yellow tuxedo-front dress. The sleeves and back were exquisite. I found the jacket with the cut-out back too fiddly, but all together the outfit was worthy of any Fashions On The Field contest.

But then something better really did come along.


Anthony's design was sublime. One of the judges, I think Jayson Brundson, said it was reminiscent of a 1930s Parisian fashion illustration. That's exactly what all Spring Racing Carnival outfits should aspire to be. It was such a perfect mix of class and edginess. The gold lame skirt was such a well-judged shock that, having seen it, you couldn't pick any other fabric to complete the outfit. I bet Henry Roth took back his criticism of the fabric after the runway show! I wish the PR website had a better picture of the bustle, because a front-on shot really doesn't do it justice. There's a few other shots here.

Can;t believe they're doing another non-fabric challenge next week, I've never seen two in one season. I'm sure the designers were more surprised than the viewers!

Saturday, 15 August 2009

Robot Peace

Ever since Jodie Ric Rac posted her adorable robot pal last month, I've known I want to make Little Jack a robot for his first birthday next month.

But I'm just not a softie designer! I need a robot to copy from.

My first idea was to make one of the robots from Mystery Science Theater 3000. It's a theme song Little Jack heard many times over whilst in utero. I even found a website where an MST3K fan documented all the parts necessary to replicate Tom Servo and Crow T Robot.

I started work on a Tom Servo sketch, but I soon decided sewing all in red would be a bit boring.

So, on to SoftieMaking.com. It led me to Lisa'a Musings Bots she workshopped at a robot art show.

She's even got a free PDF download of the pattern pieces. Still, these aren't really robots for a ruthless one year old.

Craftster offered this robot inspiration.

Love the control panel on the front, but I'm really after a pattern. Like I said, I'm not a softie designer.

Next I found Jessyratfink's instructions for a robot plushie on Instructables.

He looks much more baby-friendly, but not roboty enough for my tastes.

Finally I resorted to Etsy. If I couldn't find the perfect free robot pattern, maybe I could buy one. And happily there's lots to choose from! I don't crochet and can't read knitting patterns, but after a few pages the perfect robot signalled me.

Isn't he beautiful? He's got all his meters and dials on the front, and a wind-up key and cogs on the back. I'm typing in my PayPal details as we speak. Love!

Thursday, 13 August 2009

My Creative Space

My creative space is inside my brain, on assorted servers and on my laptop. Behold, the first public appearance of Northside Makers Collective!
Photobucket

This project is the shared baby of Jay, Margaret and myself. We all deserve a good lie down now.

There's plenty more creative spaces at Kootoyou.

Northside Makers Collective - Hello blog!


It feels like months since I started this journey with Margaret and Jay, but my calendar confirms it's only been four weeks and as many days. In that time we've gone from the seed idea of starting our own market with fair prices for all, to creating a collective model consisting of non-profit market, craft group, blog, outings and charity work. We've got a bank account, insurance quotes, grant applications, had discussions with the Arts & Cultural Development Officer from Darebin council, talked to our local neighbourhood house's market organiser, and booked a fantastic venue.

If we were getting paid as professional project coordinators, we would have earned thousands. But we are genuinely doing it for the love of craft. Why else would we take this on on top of young children, long-suffering husbands, small businesses, existing market commitments and part-time jobs?

So that leads us today, the day on which we have published our first blog post. Read more about our vision at www.northsidemakers.com.

It'll be a few weeks until we put the group membership forms (and market applications) on the blog, but this is a great time to add us to your blog reader so you don't miss a trick.

Tuesday, 11 August 2009

Snip Dress: Revealed!

So I know you've all been dyeing to see my finished dress. I bet a few of you simply popped your buttons in anticipation! And then I didn't think to get any photos of myself wearing it on market day. The weather is too dreary for me to do a proper modelling photoshoot, so my mannequin has had to stand in. Please forgive the lack of ironing.

Snip Dress
I do love knee-length shirtwaist dresses. I could wear this style all summer long, and all winter too with the right layers.

Snip Dress
I went with the blue/green button combo, which was my personal preference as well as that of readers.

Snip Dress

The solid green was a bit dull so I added a corsage embellishment. I spent ages looking for a free scissors embroidery pattern (cursing all these months I haven't got around to buying Sublime Stitching's Craftopia) before realising I had plenth of scissors just begging to be Easyfixed on. A scrap of double-sided fusible webbing, some topstitching, and a couple small vintage buttons for framing - voila! The perfect permanent corsage. I might do this to all my clothes.

Sunday, 9 August 2009

The Day That Was Craft Hatch

How was it?
Craft Hatch
The crowd was exactly right for me - people with money to spend on themselves. Many of them middle-aged women with pashminas and large arty brooches. Few prams - I did miss the babies.
Craft Hatch
I heard plenty of the laughter that inspires my sewing. Particularly laughter at my good ole Mills & Boon Trash Jacket.
Craft Hatch
I've got a prospective custom order for a Philosophy Trash Jacket to fit one woman's favourite magazine, because she likes to carry it around and it gets dogeared. I'm finally making something with a practical application!
Craft Hatch
A couple people mentioned they'd read about my stuff in A2 today. Say what now?
Craft Hatch
I talked two people out of buying a particular cushion that I can use to fill my current wholesale order, and got them to buy different cushions instead.
Craft Hatch
One woman and her teenage son bought two cushions.
Craft Hatch
How did it go? I sold more that my previous three markets put together.
Craft Hatch
And when I got home and opened A2, I found this on page 6.
Photobucket
More photos here.
Kisses to those who dropped in to visit (or tried to).
See some more wonderful Craft Hatch stallholders:
Cat Macinnes
Chloe Vallance
CSerpent Art
Betty and Hamish